![]() And whereas Facebook and co release regular reports on what content they have taken down and why, the audio streamers are opaque. Amazon, the third-largest, has published even less in the way of rules. Apple, the next-biggest streamer, has content guidelines for podcasts but a rough style guide for music. Spotify published its “platform rules” only following the Rogan explosion. The starting point is transparency, which the audio platforms sorely lack. Plenty of good music features bad language, disturbing ideas and violence. On the other hand, few want tech executives to become censors. Facebook was used to foment genocide in Myanmar: one day audio might be, too. On the one hand, most consumers want protection from the most harmful content, the best example being the incitement to violence, which even America’s First Amendment condemns. The vaccines bust-up is their first taste of an argument that other social networks have grappled with for years and which is now coming to audio. Unlike other social networks, however, audio platforms have little experience in moderating content. The result is that the content mix on audio platforms is starting to look less like the curated library of Netflix and more like the infinite hotch-potch of YouTube. Likewise, most of the tens of thousands of new songs uploaded to Spotify every day are recorded in bedrooms and garages. ![]() The vast majority are amateurs, uploading their shows to Spotify’s platform as easily as they would to a social network. Most of the 3.2m podcasters on Spotify are not like Mr Rogan, who sold his show to the company in 2020 for a reported $100m. The fact that share prices in Spotify and other platforms such as Meta, the parent of Facebook, are tumbling because of slowing growth underlines how that gamble is, in the most literal sense, Spotify’s business.īut the dispute points to a trickier emerging problem. As a commercial question, Spotify has made a publisher’s gamble that his popular show will attract more customers than it repels. As a matter of principle, Mr Rogan should be free to speak. Yet he has broken no laws, nor even, Spotify says, the company’s own content rules. That was followed by Warner Bros./DC’s “Batman Unburied” scripted original series for Spotify “Kim Kardashian’s The System: The Case of Kevin Keith” “Case 63” and “Back to the Beach With Kristin and Stephen,” the “Laguna Beach” rewatch series hosted by the reality TV show cast members Kristin Cavallari and Stephen Colletti.Īt the end of Q3, Spotify hosted a whopping 4.7 million podcasts overall on its platform - the vast majority of which are nonexclusive - up from 4.4 million the previous quarter.Mr Rogan is a bigmouth and he has been wrong about covid-19 and probably much else. Based on that measure, Meghan Markle’s “Archetypes,” the interview podcast from the Duchess of Sussex, took the No. Meanwhile, Spotify also announced the “most anticipated podcasts” of 2022 in the U.S., ranked based on the first-week streams for newly released series. ![]() Earlier this year, Spotify removed 70 episodes “The Joe Rogan Experience” that included “racially insensitive language,” which Spotify CEO Daniel Ek said were pulled at Rogan’s request. Rogan also faced a backlash over his use of the N-word in older episodes of his podcast. He’s a controversial figure: Rogan came under fire this year for spreading misinformation about the COVID vaccine on his show, prompting a boycott of Spotify by Neil Young and a few other artists. On “The Joe Rogan Experience,” he hosts a range of guests spanning the worlds of comedy, sports, politics, entertainment, business, academia and cultural commentary. Rogan, the comedian-actor who first launched his podcast in 2009, has a multiyear distribution deal with Spotify worth more than $200 million.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |